Missouri Music Teachers Association logo
Community Web Site
Missouri Music Teachers Association

Music Teaching Tips

Tips and ideas for music teachers--piano, vocal, and instrumental
MMTA Home Page > News & Info > Teaching Tips
Music Teaching Tips is sponsored by
Toon Shop
Lee's Summit, Shannon Valley, & Prairie Village - 913-362-6800
MMTA Theory Project
Thursday, March 16, 2006
Note: The MMTA Theory Projects are explained in detail in the auditions insert of the Spring issue of MMTA Notes. Theory Projects are due in the fall and displayed at the MMTA conference in November.


Let me encourage you to add another dimension to your teaching, learning process! Let's enlarge our Theory teaching as we delve into our performance pieces.

Most of us help our students to analyze their pieces as they learn them. Why not use this opportunity to guide our students into an ongoing theory project?

I like to offer my students a sampling of theory as we work through the sections of their piecesWe always begin with a discussion of the meter the composer has chosen and we attempt to find the key of the piece. We learn or review the scale, (mode or compositional technique) chords, cadences, inversions, alterations and arpeggios.

As the need arises, we discuss compositional techniques. We label the form, discuss the role of harmony and/or counterpoint in the composition - This is especially helpful as w e memorize.

We find that it is also helpful to make a photocopy of the piece and keep it in our three ring binder. This gives us a study copy and a performance copy.

Often we research the biography of the composer. We attempt to fit his life into the period of history in which he lived and worked. Several of our middle school and high school world history classes include composers in their study of Baroque, Classical, Romantic and twentieth century periods. We discuss how his style of composing fits into the period in which he lived. We find photos and portraits and compare his/her likeness with the personality we find in his/her compositions.

Most contemporary "method" books have sections which introduce intervals, pieces chosen or written to emphasize different intervals and it takes only a few minutes of ear training and sight singing for a student to develop skill in these areas. S chool music programs certainly emphasize these areas of aural development.

The keyboard teacher has at his/her fingertips pre-planned charts as resources in the National Federation of Music Clubs Festivals Bulletin and the National Guild of Piano Teachers Guild Syllabus. Check the musicianship and composition sections which include sequential theory, compositional and improvisational charts.

It takes minimum cooperative planning time for a teacher to guide his students into a creative theory project much like his school science or social studies project concluding with a music theory fair. This project should be shared with other students of the studio and be entered in the state MMTA competition and shared with those who attend the state convention. Keep in mind that the MMTA Theory project is designed so that the student may express himself using the knowledge he has acquired at his level of study and still be creativ e in presenting his project. Why not get a head start during the summer months ahead?


John Archer, NCMT MMTA Theory Chairman
801 N. Linzee Boulevard
Pierce City, MO 65723
jarcher @ sofnet.com

Piano teaching materials reviews
Tuesday, March 14, 2006
The Piano Education Page has useful reviews of dozens of piano teaching books, methods, and computer software programs:
Teachers, parents, and students have a remarkable volume of videos, books, software and teaching methods available to assist in the process of learning to play the piano. Our learning material and teaching software reviews aim to provide our visitors with useful evaluations before they invest. Each of our reviews is performed by a full-time piano teacher with an active studio. Each software review is done in collaboration with a computer expert and is based on many hours spent actually using the product in the studio environment.
Read the reviews here.

Piano lesson myths
Saturday, March 11, 2006
David Nevue lists and debunks these "piano lesson myths". Is he right that they are indeed myths?
Piano lesson myths are so ingrained into our culture and our consciousness that it almost seems silly to counter them. But on close examination, even the most "obvious" beliefs about piano study and piano practice are not only wrong, they are damaging to the individual who is bound by their chains. This material is an attempt to help pianists of all levels be liberated from such mental constraints, attitudes and assumptions regarding piano lessons, so that they might truly reach their goals.

"My teacher will drop me if I make a lot of mistakes."
Reality: Most teachers enjoy teaching and are inspired when they see someone who really tries and is diligent with their practice. In fact, good teachers PREFER to witness your mistakes so they can help you not only fix the problem, but learn how to avoid the problem in the future. This could be in the realms of practicing suggestions, fingering, hand position, eye movements and more. If you have latent mistakes that you somehow are able to hide for the lesson, the teacher may not be able to help you fix these hidden problems, which means that they may appear later when you are performing. Also, fear of making mistakes tends to distract you from the music and will actually CAUSE the very mistakes you were trying to avoid! So, never be afraid to make mistakes for your teacher.
"I have to study classical music before I can play pop or jazz."

"Children learn faster than adults."

"Since I didn't begin studying piano as a child it I'll never be able to play well as an adult."

"I should study finger technique before playing actual music."

"I must practice every day."

“Long sessions of practice time are best.”

“If I take a break from piano practice, I’ll have to work harder to make up for lost time.”

“Reading finger numbers is just for beginners.”

“I should never write in the sheet music.”

“I should never look at my hands when I play.”

“I must always look ahead when reading music.”

“Forcing a child to study piano is for their own good and they will appreciate it later.”

“Once I can play hands together, I don’t need to continue practicing hands separately.”

“If something seems too easy at the piano, I must be doing it wrong.”

“I could never be a great pianist if I don’t have long, slender fingers.”

“Improvisation is something I will only be able to do in the future, after I understand theory better.”

“When initially learning piano, it is good training to ‘lift the fingers high with precision.’”

“When practicing, I should never rush.”
. . . and others. Read them all here.

Older Music Teaching Tips articles
Sponsor:
Audio Blog:

On this page...

Related resources

MMTA Notes (newsletter)

Recent classical music-related stories from Missouri news sources (Google News)

Moreover News Missouri Classical Music

MMTA is affiliated with Music Teachers National Association

MMTA Web site hosted by the Missouri Western State University Music Department

MMTA Web site maintained by Brent Hugh, brent @ brenthugh.com