 |
How the blues diagnosed a medical mystery
Tuesday, October 30, 2007
Dr. John Morgan, professor at the City University of New York Medical School: "Behold the study, through folk music, of a substance-induced epidemic," he said. "Pharmaco-ethnomusicology."
Read the full story, by Dan Baum, in the September 15, 2003, New Yorker (8 megabyte PDF File).
Related MP3s:
(Via Metafilter)
posted by Brent Hugh at
10/30/2007
|
0 comments
permanent link to article: How the blues diagnosed a medical mystery
St. Louis Symphony releases five new CDs
According to a St. Louis Post-Dispatch article:
When it rains, it pours: On the one hand, you have Bruckner, Brahms, Beethoven and more; on the other, you have Hungarian music times three. The long drought has been broken for new recordings by the St. Louis Symphony Orchestra. . . .
The Vonk recordings are the first of eight; the remaining four will be released in the spring. Vonk, who died in August 2002 of amyotrophic lateral sclerosis (ALS, or Lou Gehrig's disease), listened to tapes of his concerts with the orchestra in his last months, and chose the performances for this project. . . .
Meanwhile, a group of Symphony musicians rescued a fine recording with Leonard Slatkin from undeserved oblivion.
In the early 1990s, Slatkin and the St. Louisans made four or five recordings each year for RCA. In 1992-93, they made some that were never released. RCA was bought by BMG, which was bought by Sony; then the project was killed.
But the musicians recalled those recordings . . . "Some of us remembered they were fine recordings," says Marc Gordon, the orchestra's retired English horn player. "We thought it was a shame they were never released." Read the rest of the story on the Post-Dispatch web site
posted by Brent Hugh at
10/30/2007
|
0 comments
permanent link to article: St. Louis Symphony releases five new CDs
The Anthology of American Folk Music
Friday, October 26, 2007
The Anthology of American Folk Music is a compilation of eighty-four folk and country music recordings that were released as 78 rpm records in the 1920s and 1930s. The compilation was originally released in 1952 as a collection of six LPs. The collection is famous due to its role as a touchstone for the US folk music revival in the 1950s and 1960s.
Liner notes and other information about the collection are available on the Smithsonian Folkways Recordings web site. You can hear several selections from the collection online:
posted by Brent Hugh at
10/26/2007
|
0 comments
permanent link to article: The Anthology of American Folk Music
Missouri composer Gerald Kemner, 1934-2007
Friday, October 19, 2007
UMKC Conservatory of Music and Dance's recent Encore publication included an announcement of the passing of Missouri Composer and long-time UMKC faculty member Gerald Kemner:
Gerald E. Kemner, age 74, passed away January 26, 2007 at Sweet Life at Rosehill, Shawnee, KS. He was born September 28, 1932 in Kansas City, MO to Louis Webster and Mabel (Huhn) Kemner.
Dr. Kemner attended Paseo High School, University of Kansas City (now UMKC), and Yale University. He received his doctorate from the Eastman School of Music in Rochester, NY, where he studied under Howard Hanson. He taught music at Augustana College in Sioux Falls, SD, and the Conservatory of Music and Dance at the University of Missouri-Kansas City until retirement. . . .
As a prolific composer, Gerald Kemner has received frequent commissions to compose, and his music is performed throughout the United States, Canada and Europe. In addition to his choral and instrumental works, he composed the original score for the Missouri Repertory Theatre's production of Brecht's Good Person of Szechuan and Shakespeare's Macbeth. He also wrote the score of the western world's premiere of The Family, translated from Chinese and directed by Ying Roucheng for the UMKC Department of Theater in 1982. The Family has since been televised throughout Mainland China. With James Mobberley, Kemner wrote the music for the made-for-TV movie, Copperhead, entered in the Cannes Film Festival. Other commissions include the score for Brecht's Mother Courage for Santa Clara University and the score for an original opera, Duze and D'Annunzio, based on a play written by UMKC theater professor Felicia Londre and funded by a University of Missouri Weldon Spring grant.
As a pianist and harpsichordist, Kemner has performed as a soloist throughout the Midwest, with the Kansas City Philharmonic (now the Kansas City Symphony) and with the Klausner-Kemner Duo.
Kemner earned a bachelor of arts degree in piano in 1953 at the Conservatory of Music. He entered Yale University School of Music and received a bachelor of music degree in 1955 and a master of music degree in 1956. In 1962, he graduated from the Eastman School of Music with a doctor of musical arts degree. Some of Kemner's compositions are available online as sheet music or recordings:
Now Shout
Several compositions
The Mormon Tabernacle Choir recording of Now Shout (audio sample in RealAudio format)
Verbum Supernum Prodiens Organ arrangements
posted by Brent Hugh at
10/19/2007
|
0 comments
permanent link to article: Missouri composer Gerald Kemner, 1934-2007
Victor Borge and Rowlf play Liszt . . .
Tuesday, October 09, 2007
So you want to write a fugue?
Wednesday, October 03, 2007
Glenn Gould:
So you want to write a fugue. You got the urge to write a fugue. You got the nerve to write a fugue. So go ahead, so go ahead and write a fugue. Go ahead and write a fugue that we can sing.
Pay no heed, Pay no mind. Pay no heed to what we tell you, Pay no mind to what we tell you. Cast away all that you were told And the theory that you read. As we said come and write one, Oh do come and write one, Write a fugue that we can sing.
Now the only way to write one Is to plunge right in and write one. Just forget the rules and write one, Just ignore the rules and try.
And the fun of it will get you. And the joy of it will fetch you. Its a pleasure that is bound to satisfy. When you decide that John Sebastian must have been a very personable guy.
Never be clever for the sake of being clever, for the sake of showing off.
For a canon in inversion is a dangerous diversion, And a bit of augmentation is a serious temptation, While a stretto diminution is an obvious allusion.
For to try to write a fugue that we can sing.
And when you finish writing it I think you will find a great joy in it.
or so...
Nothing ventured, nothing gained they say But still it is rather hard to start.
Well let us try right now. Now we are going to write a fugue. We are going to write a good one. We are going to write a fugue ... right now.
posted by Brent Hugh at
10/03/2007
|
0 comments
permanent link to article: So you want to write a fugue?
Older Missouri Music News articles
|  |