|
Thursday, March 29, 2007
The 92 Street Y blog has an interview with New Yorker music critic Alex Ross about his new book about classical music in the 20th Century, The Rest Is Noise: Listening to the Twentieth Century:
It address a basic question: why, when paintings of Picasso and Jackson Pollock go for a hundred million dollars or more on the art market and lines from T. S. Eliot are quoted on the yearbook pages of alienated teenagers across the land, is twentieth-century classical music still considered obscure and difficult? In fact, it’s better known than most people realize. Post-1900 music is all over Hollywood soundtracks, modern jazz, alternative rock. The minimalism of Steve Reich and Philip Glass has had a huge impact on rock, pop, and dance music from the Velvet Underground to Aphex Twin. What I want to do is to provide an intelligent introduction to this fabulous, labyrinthine world: not just the music itself, from Schoenberg and Stravinsky onward, but the entire cultural and social tumult around it: the Rite of Spring riot, the interaction of composers and jazz people in the twenties, the entanglement of composers in totalitarian regimes, the weird intersections of post-WWII avant-garde composers and Cold War politics, the origins of minimalism in the alternative philosophies of the West Coast. It’s not so much a history of twentieth-century music as a history of the twentieth century told through music.
posted by Brent Hugh at
3/29/2007
permanent link to article: The rest is noise . . .
Older Missouri Music News articles
|