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New Musical Experiences in the internet age
Wednesday, January 04, 2006
Dan Hill writes about the new experience of finding and sharing music that is enhanced by many online tools, communities, and ways of communicating:
So these broad shifts can, as in so many areas of culture, be crudely characterised as a movement away from 'top-down', single voice, broadcasted, edited, authoritarian models towards a more heterogenous, software-based, networked organisation of information, constructed in emergent fashion from a multiplicity of voices. A crude over-simplification but not without merit. Music discovery is now an incredibly rich, complex terrain in which intelligence moves to the edges rather than the centre. This movement could enable a richer, more beneficial model for music discovery, but only if the software and systems driving these discussions is carefully implemented - calibrated with specific knowledge of the subject area - in order to facilitate a richer experience around music.
Some would say that if classical music wants to survive and remain healthy in the new millenium, publishers, composers, and performers must be aware of these new ways people are learning about new music and shaping their musical tastes.

Are classical musicians part of these new trends? Do they need to be?

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